Golden hour on assignment, Protecting Paradise, National Geographic Pristine Seas, Niue
New York · Netflix-approved DP · Union and non-union · Worldwide

James Peterson

Director of Photography
See the Work
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The Work

Six frames from thirty years.

The image is there to serve the story. That is the work.

Assignments and projects. Open one for the story.

Chain of Command, National Geographic, cinematography by James Peterson
Plate I
Chain of Command
National Geographic · 8 × 60 Series · Series DP
The story
Countdown: Inspiration4, Netflix, cinematography by James Peterson
Plate II
Countdown: Inspiration4
Netflix · 5 × 60 Docuseries
The story
The Knowing, Independent Short Film, cinematography by James Peterson
Plate III
The Knowing
Independent Short Film · Narrative · Horror
The story
Regular Heroes, Amazon, cinematography by James Peterson
Plate IV
Regular Heroes
Amazon · 8 × 30 Docuseries
The story
After Uvalde, Frontline / PBS, cinematography by James Peterson
Plate V
After Uvalde
Frontline / PBS · Documentary
The story
Inside America's School Shootings, The Economist, cinematography by James Peterson
Plate VI
Inside America's School Shootings
The Economist · Visual Editorial
The story
The Catalogue

The rest of the work.

Gold & Greed, Nomadica Films / Netflix, cinematography by James Peterson
Gold & Greed
Nomadica Films / Netflix
Protecting Paradise, National Geographic · Pristine Seas, cinematography by James Peterson
Protecting Paradise
National Geographic · Pristine Seas
The Invisible Shield, RadicalMedia / PBS, cinematography by James Peterson
The Invisible Shield
RadicalMedia / PBS
After Uvalde, Frontline / PBS, cinematography by James Peterson
After Uvalde
Frontline / PBS
The Knowing, Independent Short Film, cinematography by James Peterson
The Knowing
Independent Short Film
Inside America's School Shootings, The Economist, cinematography by James Peterson
Inside America's School Shootings
The Economist
Loan Wolves, MSNBC Films / Peacock, cinematography by James Peterson
Loan Wolves
MSNBC Films / Peacock
Countdown: Inspiration4, Netflix, cinematography by James Peterson
Countdown: Inspiration4
Netflix
The Line, Apple TV+, cinematography by James Peterson
The Line
Apple TV+
Regular Heroes, Amazon, cinematography by James Peterson
Regular Heroes
Amazon
PBC Countdown, Premier Boxing Champions, cinematography by James Peterson
PBC Countdown
Premier Boxing Champions
StarTalk, National Geographic, cinematography by James Peterson
StarTalk
National Geographic
Chain of Command, National Geographic, cinematography by James Peterson
Chain of Command
National Geographic
U.S. Secret Service, National Geographic, cinematography by James Peterson
U.S. Secret Service
National Geographic
Ocean Treks with Jeff Corwin, Litton Entertainment / ABC, cinematography by James Peterson
Ocean Treks with Jeff Corwin
Litton Entertainment / ABC
Live Free or Die, National Geographic, cinematography by James Peterson
Live Free or Die
National Geographic
National Geographic Explorer, National Geographic, cinematography by James Peterson
National Geographic Explorer
National Geographic
30Years in the field
44Countries and territories
49States, plus DC
200+Productions since 1995
The Atlas

Where the work went.

Every country and state filled in gold is one the work has reached. Hover a dot for a frame and the story behind it, or drag and zoom to explore. Three decades, backed by call sheets, passport stamps, and invoices.

1995Playing the years
● Documented point 44 countries and territories · 49 states + DC
The Story

Three decades in the field.

Trust is built before the camera rolls.

James Peterson, Director of Photography James Peterson on set

James Peterson is a New York based, Netflix-approved Director of Photography. Three decades across documentary, narrative, television, commercial, and brand work, in New York and on location worldwide, on union and non-union productions.

"The job is to serve the story and make the day work."James Peterson

James started in Washington DC, running sound for network news and documentary crews, and by the late 90s was working on his own, learning beside veteran cinematographers across hundreds of productions for National Geographic, Discovery, and HBO. The trade runs in the family; his father, Bob Peterson, shot 60 Minutes for thirty five years.

Since then: 44 countries and territories, 49 states. Pristine Seas expeditions in the South Pacific, conflict zones, the first civilians to reach orbit for Netflix, brand films for Delta and Nike.

Whether the crew is two people or fifty, the approach is the same: show up prepared, ask the right questions, look after the day, and put the story first.

Engage

Hire James solo, or a full turnkey crew through James Peterson Films, LLC, from development through delivery. Fully insured.

Kit

In-house ARRI, Sony, and Canon packages with prime and zoom glass, minutes from New York's major rental houses for specialty pieces and a director's preferred lenses. A 170 Sprinter with lift gate, a Suburban, Starlink and hotspots for remote directors, one person band audio kits. Custom tools for running premium gear in small documentary crews, participant first, from conflict zones to independent features. Custom AI pipelines in post, including noise reduction for interviews in a loud city.

Field-ready

FAA Part 107 drone certified. HUET and hostile environment trained. Previously held a U.S. government security clearance (currently inactive), with extensive experience embedded with U.S. military units and working under NDA in restricted environments.

Crew

A global network of crews built over years of working together, available for shoots of any size, anywhere.

Union and non-union

Available for union (IATSE) and non-union productions, with crews staffed to match the production's agreement.

Netflix-approved

Approved by Netflix as Director of Photography, with Netflix originals including Countdown: Inspiration4 and Gold & Greed, and in-house camera packages built to Netflix 4K capture requirements.

Consulting

Advice that comes from the field.

Networks, production companies, and brands bring James in before the cameras roll to get the technical and practical calls right. Engagements run from a single call to a full prep, billed through James Peterson Films, LLC.

Camera and delivery planning

Camera, lens, and recording choices that meet network and streamer delivery specs, including Netflix 4K capture requirements, settled before the first rental order.

Small crew systems

Packages and workflows that let a two or three person team run premium cameras, sound, and lighting without slowing the people in front of the lens.

Remote and live viewing

Secure live multicam viewing and same day dailies for directors and clients who cannot be on set, over SRT, Starlink, and bonded cellular.

Color pipeline and looks

Show LUTs, camera look files, and monitoring setups so what the director approves on set carries through to the grade.

Post and media workflow

Interview audio cleanup, transcription, and media management pipelines, built and run in house.

Difficult locations

Planning for remote, restricted, and hostile environments: access, safety, aerial work under FAA Part 107, and working under NDA.

Ask about consulting

Behind the Scenes

On the day.

A few frames from the field.

James Peterson operating a cinema camera in falling snow James Peterson shooting the New York City Marathon James Peterson on a shoulder rig at a rodeo James Peterson operating a Steadicam at night James Peterson filming on the coast James Peterson with a camera rig at sunset on the beach James Peterson on a documentary interview setup James Peterson with an ARRI AMIRA on location in Japan
The Record

Thirty years, in order.

The working record, 1995 to now. The full credit list is in the archive.

2026
In production
Documentation of NASA's Artemis II mission for science and the public record, via Skyshow Incorporated. Harlan Coben's Final Twist, season one for CBS, season two now shooting. Yolanthe for Netflix.
2025
Gold & Greed
Gold & Greed for Netflix, a Top 10 series in its release week. Onside: Major League Soccer for Apple TV+. Martyr of Gowanus wins Best Narrative Feature at Syracuse.
2024
Niue, with Pristine Seas
Protecting Paradise: The Story of Niue with Pristine Seas. The Invisible Shield for PBS. Shark Bait for National Geographic.
2023
After Uvalde
After Uvalde for Frontline, Peabody nominated. Inside a Month of America's School Shootings for The Economist. The Knowing wins eight festival awards.
2021
Inspiration4
A year with Countdown: Inspiration4 Mission to Space for Netflix, the first all civilian crew to reach orbit. The Line for Apple TV+. The Tokyo Paralympics for NBC, filming athletes' backstories across the US. Contributing cinematography on The First Wave.
2020
Regular Heroes
Regular Heroes for Amazon, shot as the world shut down. Marvel 616 for Disney+. Development work on High Score for Netflix.
2018
U.S. Secret Service
United States Secret Service: On the Front Line for National Geographic. Second unit on Paris to Pittsburgh.
2017
Chain of Command
Mosul, Mogadishu, and Djibouti for Chain of Command. Bronze Telly for Ocean Treks cinematography the same year.
2016
Ocean Treks
Twenty six episodes at sea. Gombe, Tanzania: Jane Goodall's chimpanzees for National Geographic Explorer. Yosemite with President Obama, for National Geographic's virtual reality film marking the parks centennial.
2015
Live Free or Die
Live Free or Die, with sequences at 1950 frames per second. StarTalk begins. The NYC Marathon broadcast starts and has run every year since.
2014
Alaska: The Last Frontier
Camera operator on Alaska: The Last Frontier for Discovery. The series was Emmy nominated for Outstanding Cinematography for Reality Programming in 2014.
2013
Polygamy USA
Polygamy USA for National Geographic, six episodes. Life According to Sam for HBO: Emmy, Peabody, Oscar shortlist.
2011
Hard Time
Series DP on season four of Hard Time for National Geographic.
2009
American Loggers
American Loggers for Discovery, one of the unit DPs, 2009 to 2010.
2007
Taxi to the Dark Side
Sound on the Jigsaw Productions film that won the Academy Award for Best Documentary Feature.
2006
Tattoo Hunter
Tattoo Hunter for Discovery, in Hawaii and the Philippines.
2005
The Wire
Twelve episodes of sound for HBO in the real Baltimore row houses. A 140 person crew and production negotiating safe passage corner by corner. Missile defense documentation on Kauai and Oahu, 2005 to 2006.
2004
Da Ali G Show
Da Ali G Show for HBO, six episodes. HBO Films. Baja California for Discovery.
2003
National Geographic
Sound for National Geographic begins, alongside Discovery, the History Channel, and the World Bank. CBS and Dateline coverage of the Beltway sniper. A second union card: IATSE.
2001
September 11
On the CBS News team covering September 11. The coverage earned an Emmy.
2000
60 Minutes
Sound on 60 Minutes and 60 Minutes II, the broadcast his father shot for thirty five years. The work and the family story, finally on the same call sheet.
1999
Dateline
NBC Dateline, and the Millennium and Y2K network specials pooled for NBC, CNN, FOX, and ABC. The start of years of Emmy winning Dateline coverage.
1998
Behind the camera
Local news camera in Orlando, and a Film and Video degree from Full Sail.
1997
The union card
Joins the IBEW and goes to work at CBS as a sound person, out of the Washington bureau: features, stakeouts, hearings, hurricanes. First camera work the same summer, for the Food Network in Jamaica and the British Virgin Islands.
1995
First days on set
PA work on 60 Minutes sets and on projects with Bill Kurtis.
The Archive

The full record.

The highlights are above. The complete working filmography, by department, lives in the archive, from the latest cinematography back to the Washington DC sound years.

Open the full archive
Recognition

The productions carry the awards.

Awards belong to productions and the full crews that make them. James served on these projects in the roles noted; the honors below recognize the productions themselves. The one personal award, a Bronze Telly for cinematography, sits with Ocean Treks.

TCS New York City Marathon

ABC / ESPN · Director of Photography
Won: 2× New York Emmy, Sports Program Live (2023, 2024)

After Uvalde

Frontline / PBS · Director of Photography
Nominated: Peabody Award · 2× News & Documentary Emmy

The First Wave

National Geographic · Camera
Won: 3× News & Documentary Emmy incl. Outstanding Cinematography · Oscar Shortlist

Taxi to the Dark Side

Jigsaw Productions · Sound
Won: Academy Award, Best Documentary Feature · Peabody · Tribeca · WGA

Ocean Treks with Jeff Corwin

ABC · Series DP
Won: Bronze Telly, Cinematography (personal, 2017) · 44× Telly (series) · Nominated: 7× Daytime Emmy incl. Cinematography

The Knowing

Independent Short Film · DP
Won: 8× festival awards incl. 4× Best Horror · Official selections from HollyShorts to Terror-Fi

Martyr of Gowanus

Feature Film · Additional DP
Won: Best Narrative Feature, Syracuse International Film Festival (2025)

The Line

Apple TV+ · DP
Nominated: 2× News & Documentary Emmy incl. Best Documentary

Loan Wolves

MSNBC / Peacock · DP
Won: 4× Telly Awards, 3 Gold

Finding Our Voice: Living with SMA

WebMD · Cinematographer
Won: 2× Gold Telly incl. Videography / Cinematography (2021)

Nonstop Scouting

Delta Air Lines · Cinematographer
Nominated: Webby Award

Life According to Sam

HBO · Sound
Won: Emmy · Peabody · Oscar Shortlisted

September 11 Coverage

CBS News · Sound
Won: News & Documentary Emmy (2002)

Dateline NBC

NBC · Sound
Emmy winning news coverage, 1999 to 2007, incl. the Pennsylvania miners rescue

The Wire

HBO · Sound
Won: Peabody · WGA · DGA · Nominated: BAFTA, 2× Primetime Emmy

Da Ali G Show

HBO · Sound
Won: 2× BAFTA · Nominated: 5× Primetime Emmy

Belief

OWN · Camera
Won: Gracie Award, Outstanding Documentary · Nominated: IDA, Best Limited Series
The Partners

Networks, studios, and brands.

Internships

Learn on a working set.

James Peterson Films offers paid internships for people starting out in camera, sound, and production. Interns work alongside a professional crew on documentary, television, and commercial shoots in New York, and learn the job the way James did: on the day, from people who do it for a living.

Paid

Every internship is a paid position. No unpaid work.

What you learn

Camera prep and care, sound, lighting and grip, media management, set etiquette, and how a production day is run.

Who can apply

New York City area, 18 or older, and eligible to work in the United States. No film school required. Curiosity and reliability matter more.

Schedule

Built around real productions, so days vary. Tell us your availability and we will match you to shoots that fit.

Thank you.

Your application is in. We read every one and will be in touch when a production fits your availability.

New project?
Let's figure out what it needs.

Documentary, narrative, television, commercial, and brand work, at home in New York City and on location worldwide. Hire James as an independent DP, or a full turnkey team through James Peterson Films, LLC: fully insured, development through delivery.

Thank you.

Your note is in. James will get back to you shortly. For anything urgent, call +1 (212) 390-0713.

Mailing address

914 3rd Ave, Unit 226
Brooklyn, NY 11232